Thomas Giberson

"audio engineer"

I am a Sound Engineering graduate with a minor in Electrical Engineering from the University of Michigan. I work for the Rackham Graduate School in the Facilities Office as an Events Specialist, Audio Visual Lead. I have a diverse experience set with audio/visual technology: studio recording and engineering, location recording, mixing and mastering, as well as professional experience with commercial audio/visual technology such as Crestron and Q-SYS.

Please feel free to reach out! You can find my professional resume here.

Creative

Impermanent

Recording / Mixing / Mastering

January 2024 – January 2025

Einstein of Love

Recording / Mixing / Mastering

June – November 2022

Student Chamber Orchestra Groups

Recording / Mixing / Post-Production

2021 – 2024

Academic

← Selected Projects

Selected Chamber Orchestra Recordings

I assisted friends and other students with recording and post production of several audition reels, recitals, etc. throughout my time as a student. This was primarily done in Studios A and B at the Duderstadt Center at the University of Michigan as well as recital halls across North Campus such as Britton Recital Hall.

Mendelssohn: String Quartet No.3 in D major

Kevin Sung Quartet · Studio A, Duderstadt Center · 2022

Excerpt from Senior Recital

Tanner Rodriguez, cello · Britton Recital Hall · 2023

Excerpt from Audition Reel

Trio Matisse · Studio A, Duderstadt Center · 2022

← Selected Projects

Audio Watermarking and Source Localization

EECS 452: DSP Design Lab

April 2026

My partners and I designed a system implemented using ESP32s as a demonstration of Time of Flight (ToF) calculation using audio signals to determine the distance between two individual devices. The use of audio would also allow for messages to be sent via watermarking the audio using convolution.

EECS 452 project poster
← Selected Projects

Outboard EQ and Preamp Simulation

EECS 351: Introduction to Digital Signal Processing

November 2025

My project team and I took measurements and recordings of the outboard audio effects that are available in the audio studios at the Duderstadt Center at the University of Michigan, then used these recordings to create digital filters in MATLAB that can then be applied to an incoming audio signal that simulates the effect the physical equipment would have on that same signal.

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